Yellow Arrow Publishing Blog

Kapua Iao 2/7/23 Kapua Iao 2/7/23

Meet a Board Member: Mickey Revenaugh

Yellow Arrow Publishing would like to introduce our new board president, Mickey Revenaugh. Mickey is an education innovator, mission-driven leader, and recovering journalist/current writer of creative nonfiction and fiction. In addition to cofounding a Maryland-based international network of virtual schools, she serves in board leadership for a New York City charter school, a national charitable foundation, and a global private school. Her writing has appeared in VICE, Chautauqua, Cleaver, Catapult, Louisiana Literature, Lunch Ticket, and many others. She holds an MFA from Bennington College, an MBA from New York University, and a BA in American Studies from Yale University. She lives and works in Brooklyn, New York, and can be found online at mickeyrevenaugh.com or on Instagram @mickeyrevenaugh.

Mickey states, “I look forward to joining forces with Yellow Arrow’s amazing corps of women-in-writing to bring forth the voices of others.” She further adds that her vision for Yellow Arrow in 2023 is “building on its inspiringly solid foundation to create an ever-growing, effectively sustaining community.”

Tell us a little something about yourself:

After an almost 20-year hiatus, I picked up creative writing again in 2014 when I entered the Bennington low-res MFA program, which did the trick! I produced a ton of material despite still working full time at my day job and got my degree (dual genre, nonfiction/fiction) in 2017, the year I turned 60. Now I am 65, have just retired from that same day job, and am excitedly/nervously diving into a daily writing routine. My current projects include a collection of short stories set in and around airports, and a nonfiction look at “21st century homeschooling.” I’ve also recently developed a love of flash and plan to keep producing and publishing short pieces, fictional and not. My publications and such are listed at mickeyrevenaugh.com.

What do you love most about where you live?

Baltimore is where the great professional adventure of my life took place—the founding and development of Connections Academy, a leading network of virtual schools now serving more than 100,000 students around the globe. Connections started in a borrowed office in Baltimore’s Inner Harbor area, with a founding staff made up mostly of Baltos and Marylanders (including more than a few now with Yellow Arrow, see below). The pilgrimage from Brooklyn, where I live, to Baltimore and back became a familiar rhythm of the next 20+ years. I earned super-elite frequent traveler status on Amtrak, memorized rest stops for the occasional times I drove, and regularly forced myself to explore outside the office and its immediate square blocks. I spent time in an elementary school in Coppin Heights, met parents in Dundalk, discovered tattoo parlors in Fells Point and took up a permanent seat in the FedEx Kinkos on Charles.

As Connections grew, Baltimore also evolved, gentrifying fast in the Inner Harbor, grappling with The Wire and Freddie Gray, always a dichotomy of have and have not, hopeful and desperate. Once the home office relocated to suburban Columbia and then closed altogether during the pandemic, the thing I missed most was that taxi ride from Baltimore Penn Station to Central and Fleet as the sun rose.

How did you get involved with Yellow Arrow and what do you do?

Yellow Arrow Executive Director Annie Marhefka and I worked together for years at Connections Academy, and she and I serve together on the board of a foundation named for our late founding CEO. As several other current and past Connections folks joined Yellow Arrow as board members and volunteers, Annie and I began talking about how I might be of service as well. I joined the Yellow Arrow board as president late fall 2022 and officially assumed office in January 2023.

What are you working on currently?

Now that I’ve retired from my corporate gig, I am working on developing a daily writing routine—now an official member of the #5amwritersclub!—with an eye to fleshing out my Airport Series short story collection, getting my nonfiction “21st century homeschooling” book project underway, and building up my portfolio of flash pieces. I am also leading several nonprofit boards, mentoring an array of rising professionals, and flexing my grabber tool for picking up track around the neighborhood.

What genre do you write and why?

I write creative nonfiction so I can draw on all the journalistic habits developed over a lifetime, and I write fiction because it’s such a relief sometimes just to make everything up.

Who is your favorite writer and why?

I’ve typically favored women writers, including Joan Didion, Louise Erdrich, Toni Morrison, Jumpha Lahiri, and Edith Wharton, but lately I’ve been inspired by George Saunders as both a writer and a teacher.

Who has inspired and/or supported you most in your writing journey?

My MFA advisor Dinah Lenney came into my writing life at a crucial time. She helped me see how the pieces fit together and gave me the confidence to imagine publishing. Also, my literary agent, Sharon Pelletier, manages to always be encouraging, even when sharing discouraging news.

What do you love most about writing?

I love making something solid and potentially lasting out of ephemeral moments, overheard scraps of conversation, imaginary connections among disparate objects.

What advice do you have for new writers?

Believe in your voice and your story enough to evolve a little every day.

*****

Welcome to the team Mickey! We are so excited to work with you this year. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

Yellow Arrow 2/3/23 Yellow Arrow 2/3/23

Her View Friday

Yellow Arrow Publishing supports women-identifying writers from a wide variety of backgrounds, not just because it’s the right thing to do, but because it makes us stronger. Women’s voices have historically been underrepresented in literature, and we aim to elevate those voices and stories through our programs, publications, and support.

Part of our mission in supporting and uplifting women writers is to promote the Yellow Arrow community’s individual accomplishments. We’d like to further expand that support and promotion outside of our Yellow Arrow publications. Twice a month, we’d like to give a shout out to those within the Yellow Arrow community who recently published:

single-author publications
single pieces in journals, anthologies, etc. as well as prizes/awards

You can support our authors by reading this blog and their work, sharing their news, and commenting below or on the blog. Congratulations to all the included authors. We are so proud of you!

Every writer has a story to tell and every story is worth telling.

Author: Zorina Exie Frey

Tell us about yourself: I am an essayist, screenwriter, spoken-word poet, content writer, and digital designer. Yellow Arrow Journal UpSpring published my poem, "Vitamin Seed."

Where are you from: Maryland

What describe your main writing space: Technology. Books. Cats.

Tell us about your publication: Poetry - Preaching 2 the Mic is a compilation of theatrical spoken-word poetry that speaks to cultural- and self-hypocrisy while seeking forgiveness and self-love.

Why this book? Why now? How did it happen for you: I wanted to publish all of the poems I've performed and published before I earned my MFA in creative writing (poetry and creative nonfiction). I want my readers to see the difference between my pre-MFA poetry and post-MFA poems.

What is your writing goal for the year: Get my creative thesis published.

What advice do you have for other writers: Establish your goals and research publishing options.

What else are you working on/doing that you’d like to share: Submitting, submitting, and submitting!

You can find Zorina on Twitter and Instagram @zorinaexie.

Author: Tricia Knoll

Tell us about yourself: Yellow Arrow Journal RENASCENCE published my poem, “Random Selection,” in 2021.

Where are you from: Williston, Vermont

What describe your main writing space: I write a lot about the outdoors and sit at a window looking at it when weather does not permit writing outside.

Tell us about your publication: One Bent Twig is poetry in praise of trees, from first loved trees to those endangered by climate change. It was published in January 2023.

Why this book? Why now? How did it happen for you: I have always loved trees, practiced as a Master Gardener, and see impacts of climate change on trees.

What is your writing goal for the year: I'd like to write 200 new poems and 300 haiku.

What advice do you have for other writers: Keep at it. No matter what. Keep working.

What else are you working on/doing that you’d like to share: I'm a gardener . . . for butterflies. I work to eliminate invasives from my woods.

You can find Tricia on Twitter and Instagram @triciaknollwind.

Author: Ellen Dooling Reynard

Tell us about yourself: I spent my childhood on a cattle ranch in Jackson, Montana and was one-time editor of Parabola Magazine, retiring to and living in Temecula, California. My first chapbook, No Batteries Required, was published in 2021 by Yellow Arrow Publishing. I have been nominated twice for the Pushcart Prize.

Where are you from: Temecula, California

What describe your main writing space: Complete with cats.

Tell us about your publication: Double Stream is a collection of ekphrastic poetry based on paintings and drawings by my late husband, the French painter Paul Leon Reynard. It was published in November 2022 by South Forty Press.

Why this book? Why now? How did it happen for you: My late husband, the French painter Paul Reynard, often asked me to write about his work, but I felt at the time that I didn’t know enough about art to do so. Fifteen years after he died, I started writing poetry, and it was at that time that I encountered the ekphrastic poetry of Rooja Mohassessy. I said to myself that I should write poems about my husband's art, and this book is the result of those efforts.

What is your writing goal for the year: To write more poetry.

What advice do you have for other writers: Send your best work out to online and print journals and don’t mind rejections—we all get them!

What else are you working on/doing that you’d like to share: I am reworking older poems that I had put aside.

You can find Ellen on Facebook @ellen.reynard.127.

Yellow Arrow (past and present) board, staff, interns, authors, residents, and instructors alike! Got a publication coming out? Let us help celebrate for you in Her View Friday.

Single-author publications: here.

Single pieces and awards/prizes: here.

Please read the instructions on each form carefully; we look forward to congratulating you!

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

Kapua Iao 2/1/23 Kapua Iao 2/1/23

Yellow Arrow Journal (VIII/01) KINDLING Submissions are Now Open!

Yellow Arrow Publishing is excited to announce that submissions for our next issue of Yellow Arrow Journal, Vol. VIII, No. 1 (spring 2023) is open February 1–28 addressing the overarching concept of advocacy and community. Guest editor, Matilda Young, states,

The work of changemaking is the work of community and care, of recognizing how our lives and futures are inextricably linked. Our writing can reflect this vital work and be a part of how we bring change to life.

Maybe it is by sharing our full selves with the world or speaking clearly to the injustice of the past and present. Maybe it is sharing the story of how another person inspired us or helped us find healing or how we ourselves find healing and connection in the practice of community care. Like writing, changemaking is fundamentally an act of imagination: envisioning a world that does not yet exist but must.

This issue’s theme will be KINDLING

: easy combustible material for starting a fire

: something or someone that helps start (spark) a movement, an event,

changemaking, and/or advocacy

What is your vision for advocacy? How can you kindle changemaking in yourself? In others? How do people broaden their vision and their actions?
How have you (or how can you) create inspiration in yourself and in others?
How do you get yourself or someone else to join a journey toward advocacy?

Yellow Arrow Journal is looking for creative nonfiction, poetry, and cover art submissions by writers/artists who identify as women, on the theme of KINDLING. Submissions can be in any language as long as an English translation accompanies it. For more information regarding journal submission guidelines, please visit yellowarrowpublishing.com/submissions. Please read our guidelines carefully before submitting. To learn more about our editorial views and how important your voice is in your story, read About the Journal. This issue will be released in May 2023.

KINDLING’s guest editor, Matilda Young (she/they), is a poet with an MFA in poetry from the University of Maryland. She has been published in several journals, including Anatolios Magazine, Angel City Review, and Entropy Magazine’s Blackcackle. She enjoys Edgar Allan Poe jokes, not being in their apartment, and being obnoxious about the benefits of stovetop popcorn. Matilda’s poem “This Yes, This” was part of Yellow Arrow Journal FREEDOM, and Matilda was our .W.o.W. #7. Matilda was also one of our three fantastic Writers-in-Residence 2022 cohort. We are excited to work with Matilda over the next few months.

The journal is just one of many ways that Yellow Arrow Publishing works to support and inspire women through publication and access to the literary arts. Since its founding in 2016, Yellow Arrow has worked tirelessly to make an impact on the local and global community by advocating for writers who identify as women. Yellow Arrow proudly represents the voices of women from around the globe. Creating diversity in the literary world and providing a safe space is deeply important. Every writer has a story to tell, every story is worth telling.

*****

Kapua Iao 1/31/23 Kapua Iao 1/31/23

Beast at Every Threshold: An Exploration of the Balance Between Hope and Despair

By Beck Snyder, written October 2022

It has, admittedly, been a while since I decided to sit down and read a collection of poetry for reasons other than needing a good grade on a class assignment. Poetry is one of the realms of writing that often eludes my grasp—not because I don’t want to seek it out, but because fiction and nonfiction pieces usually end up getting there first. When it comes to Natalie Wee’s collection Beast at Every Threshold (2022), however, I immediately knew upon beginning that this was a book that would stick with me as clearly as any beloved fiction adventure from my childhood.

Beast at Every Threshold is best described as a careful balancing act between hope and despair as Natalie wades through both her past and present while considering her potential future. Within her poems, she openly acknowledges and explores the tragedies of life and loss, such as her grandmother’s Alzheimer’s and abuse she herself has suffered. She does not attempt to fool her audience into believing that every problem in life can be solved through having hope, but as she looks into the more depressing aspects of life, she still brings hope into the equation along with a strong sense of reclaiming power, as she does in the poem “Wei Yang Tells Me About Resurrection.” In the poem, she describes the pain that is necessary for resurrection but turns it on its head into using that pain to transform your own life and bring it under control: “Choose a hell / of your own making over the hell that unmakes you.” Her sense of hope also comes to a head in her poem “In My Next Life as a Fruit Tree,” where she muses on her potential next life and what she will become, and while she could choose anything, all she wishes to do is to provide love and care for those who come after her, and to simply exist peacefully: “but I’ll flower one crop each day for as long / as the palm reaching upwards needs something to adore / it.”

It’s a beautiful message that takes the idea of existence and works it into something that we do not have to prove we deserve, but something that we can simply enjoy. Within this collection, Natalie is no stranger to depression and pain, but is not interested in painting a grim, hopeless vision of the world around her. Natalie sees both hope and despair that exists within the world, and because of that, I was left feeling as though I was seeing real, unbridled truth on the pages before me.

Just as Natalie is a master of finding hope within despair, she also works within her poetry to find beauty within the unconventional. This is a theme that comes in right away in the first poem of the collection, “In Defense of My Roommate’s Dog,” which turns the somewhat embarrassing act of a dog humping a stuffed animal in front of guests into a breathtaking exploration of sexual longing and asks the reader why they find shame in masturbation when it is rooted in a longing for love and the need to survive: “Maybe the trade-off for resurrection is / shame vast enough to kill / us.” Natalie has turned this small, everyday act, which most of us would feel awkward about witnessing, into a radical questioning of our values, and why it is that we are so ashamed of basic human nature.

Natalie also continues this theme of unconventional beauty throughout the entire collection, most notably to me in the piece “Inside Joke,” where she uses texting lingo and internet memes, two things which are typically not considered to be poetic, into an exploration of togetherness and adoration.

“tbh, we are so damn lucky to be loved like this

w/ endless ways 2 bless one another

our voices crowned w/ something new

& tender

& no one else’s”

I wasn’t expecting to find a piece within this collection that hit quite so close to home, but as someone on the edge of Gen Z, this piece connected strongly with me as a kind of validation for the way the younger generations share our love and laughter with one another.

Natalie is also heavily interested in exploring immigrant culture and the experience of living separate from yet still connected to one’s home country. Nearly every poem in the collection connects to this overarching theme, whether that connection be overt or subtle. Natalie’s culture and mother tongue bleeds into every word she writes, in a way that proves that she could not separate herself from this aspect of her life. Throughout the collection, she explores the nature of being an immigrant through poems such as “An Abridged History,” “Frequent Flyer Program,” and “Immigrant Aubade,” all of which look into different aspects of her unique-yet-shared experience. Within these pieces there is clear trauma, as she discusses hate crimes and disconnect, but there is also love threaded in between as she connects with other women both within her family line and out of it, who have lived through her pain and understand it, and are all moving toward a more hopeful future of reconnecting and learning to carry the pain without allowing it to become overwhelming.

Another aspect that connects much of Natalie’s work, so much so that she describes herself first and foremost as a queer author, is an exploration of her queerness. Her love poems are unlike any I’ve read before, in a way that allows for tenderness to sit alongside doubt. Natalie writes of love as the very thing that allows her to become real, and the honesty and delicate nature she brings to that admission connected strongly with me as a reader while also taking my breath away. She writes of love as something to hold onto and call her own when everything else falls away, as a final reason to hang on to hope when the world is far too dark to see anything else. All too often, I see queer love described in ways that are meant to prove we are no different than anyone else, but Natalie writes about it as if that difference is the very core element that makes it beautiful and worthy of celebration. She does not shy away from anything risqué—instead, she brings it to light and asks us to celebrate alongside her: she is in love, she is real, she is worthy.

Overall, Natalie’s collection is a stunning look into the different parts of her life, where they connect, where they collide, and how she weaves them all together. It is a breathtaking balance between hope and despair, and a poetry collection that left me reaching out for more only to turn the page and find the acknowledgements waiting. In an age that is all too eager to push queer, immigrant stories into the background, Beast at Every Threshold is an honest, unashamed look at the life that exists around Natalie and one that demands to be listened to.

You can find Natalie Wee’s Beast of Every Threshold: Poems (2022) at Arsenal Pulp Press: arsenalpulp.com/Books/B/Beast-at-Every-Threshold.

Beck Snyder is a senior at Towson University studying both creative writing and film. They are from the tiny town of Clear Spring, Maryland, and while they enjoy small-town life, they cannot wait to get out of town and see what the world has to offer. They hope to graduate by the summer of 2023 and begin exploring immediately afterward. You can find more from Beck at their Instagram, @real_possiblyawesome.

*****

Yellow Arrow 1/27/23 Yellow Arrow 1/27/23

Her View Friday

single-author publications
single pieces in journals, anthologies, etc. as well as prizes/awards

You can support our authors by reading this blog and their work, sharing their news, and commenting below or on the blog. Congratulations to all the included authors. We are so proud of you!

Every writer has a story to tell and every story is worth telling.

*the last couple months of 2022 have been a blur . . . this blog celebrates these final achievements!

“I'll have an American Breakfast please, hold the (W)” by rASHNA waDIA from sANTA cLARA, cALIFORNIA

Genre: poetry

Name of publisher: Salt Hill Journal

Date published: Fall 2022

Type of publication: print

salthilljournal.net/sh48

“All This Was A Nice Place Once” by Laura Rockhold from Minnesota

Genre: poetry

Name of publisher: Black Fox Literary Magazine

Date published: September 16, 2022

Type of publication: print and online

issuu.com/blackfoxlit/docs/bflm_issue_23_final_draft_issuu_version

This poem is a golden root, a new poetic form created by Laura.

“Other~Land” by rASHNA waDIA from sANTA cLARA, cALIFORNIA

Genre: poetry

Name of publisher: Terrain.org

Date published: November 10, 2022

Type of publication: online

terrain.org/2022/poetry/rashna-wadia/

“Outline For A Relief Map” by Laura Rockhold from Minnesota

Genre: poetry

Name of publisher: The Ekphrastic Review

Date published: November 24, 2022

Type of publication: online

ekphrastic.net/the-ekphrastic-review/outline-for-a-relief-map-by-laura-rockhold

“Baby Boy, Born at 34 Weeks” by Heather Brown Barrett from Virginia

Genre: poetry

Name of publisher: The Ekphrastic Review

Date published: December 16, 2022

Type of publication: online

ekphrastic.net/the-ekphrastic-challenges/ekphrastic-writing-responses-rachel-ruysch

Find her on Instagram @heatherbrownbarrett.

“Daylight Saves” by Kay Smith-Blum from Seattle, Washington

Genre: creative nonfiction

Name of publisher: Adelaide Magazine

Date published: December 20, 2022

Type of publication: print and online

adelaidemagazine.org/2022/12/20/daylight-saves-by-kay-smith-blum

Find Kay on Instagram @discerningKSB, Twitter @KaySmithBlum, and Facebook @kay.smithblum.

“acquired taste” by Valerie Wong

Genre: poetry

Name of publisher: Superpresent Magazine

Date published: December 20, 2022

Type of publication: print and online

superpresentmag.com/current-issue/

Find Valerie on Instagram and Facebook @theglutenfreepoet.

“Anatomy of the Postpartum Mother” by Annie Marhefka from Baltimore, Maryland

Genre: creative nonfiction

Name of publisher: Fatal Flaw Literary Magazine

Date published: December 2022

Type of publication: online

fatalflawlit.com/essay-pieces/anatomy-of-the-postpartum-mother

Find Annie on Instagram @anniemarhefka and Twitter @charmcityannie.

LATEST ADDITION . . . PRIZES/AWARDS!

“The Taking Hands” by Laura Rockhold from Minnesota

Prize/award: First Place, Bring Back The Prairies Award

Genre: poetry

Name of publisher: League of Minnesota Poets 2022 Annual Poetry Contest

Date published: November 2022

mnpoets.org/wp-content/uploads/2022/11/2022-Contest-Results-for-posting-on-Website.pdf

“Paradise Parade” by Laura Rockhold from Minnesota

Prize/award: Third Place, Southern MN Poets Society Award

Genre: poetry

Name of publisher: League of Minnesota Poets 2022 Annual Poetry Contest

Date published: November 2022

mnpoets.org/wp-content/uploads/2022/11/2022-Contest-Results-for-posting-on-Website.pdf

“Pee is for Prejudice” by Zorina Exie Frey from Maryland

Prize/award: Pushcart Prize nominee

Genre: poetry

Name of publisher: Glassworks Publication

Date published: December 2022

Type of publication: print and online

rowanglassworks.org/pee-is-for-prejudice.html

Find Zorina on Instagram, Facebook, and Twitter @zorinaexie.

“What the Salt Meant” by Joanne Durham from North Carolina

Prize/award: Pushcart Prize nominee

Genre: poetry

Name of publisher: Poetry South

Date published: December 2022

Type of publication: print

poetrysouth.submittable.com/submit/210830/purchase-issue-14-dec-2022

Find Joanne on Instagram @poetryjoanne and Twitter @DurhamJoanne.

Yellow Arrow (past and present) board, staff, interns, authors, residents, and instructors alike! Got a publication coming out? Let us help celebrate for you in Her View Friday.

Single-author publications: here.

Single pieces and awards/prizes: here.

Please read the instructions on each form carefully; we look forward to congratulating you!

*****

Kapua Iao 1/24/23 Kapua Iao 1/24/23

Meet a Staff Member: Melissa Nunez

Yellow Arrow Publishing would like to introduce our on-staff interviewer, Melissa Nunez. Melissa lives and creates in the caffeinated spaces between awake and dreaming. She makes her home in the Rio Grande Valley region of South Texas, where she enjoys observing, exploring, and photographing the local flora and fauna with her three home-schooled children. She is a column contributor for The Daily Drunk Mag. She is also a staff writer for Alebrijes Review. Melissa contributed her nonfiction piece “What is Mine” to Yellow Arrow Journal’s Vol. VI, No. 1 issue on RENASCENCE. And most recently, Melissa wrote “Alight,” which was included in EMERGE: Coming Into View. Both publications are available in the Yellow Arrow bookstore. You can find her prerecorded reading of “Alight” on Yellow Arrow’s YouTube channel.

Melissa states, “I am looking forward to meeting and conversing with new/new-to-me writers. I love reading new works from new writers, becoming immersed in new ideas and perspectives, and being able to get that behind the scenes look at their processes. I am excited to continue sharing this with the Yellow Arrow community.”

Tell us a little something about yourself.

I recently started publishing photography and visual art. The experience has been one of growth and positivity. Expanding to new mediums has brought additional beauty and strength to my body of work.

What do you love most about living in Mission, Texas?

I love the continual journey of seeing my city through new eyes and falling in love with my surroundings. I appreciate the opportunities to become one with nature, to experience the richness of color and sound, and to delve deeper into local history.

How did you get involved with Yellow Arrow and what do you do?

Yellow Arrow was one of my first publications. The experience of publishing in the RENASCENCE issue and participating in the accompanying launch party/live reading was so fulfilling and motivating. The offer to continue to collaborate within this community was one I could not resist. They have been so welcoming and encouraging of my work, and I am so glad I started contributing blogs and interviews for the website.

What are you working on currently?

I am working on a collection of hybrid visual poetry.

What genre do you write and why?

I write a mix of nonfiction and poetry, and I recently branched out into visual art and flash fiction as well. Taking on new challenges has been so rewarding and I look forward to continuing to test my skills as an artist.

Who is your favorite writer and why?

I was very inspired by Louise Erdrich while pursuing my MFA, and her writing continues to move me. She tells such compelling stories. I love the way her characters come to life on the page, flawed but forgivable. I also deeply admire the work of Aurora Levins Morales. I love her heart for community and uplifting the voices of those outside positions of privilege. She has inspired my essay writing and education this past year.

Who has inspired and/or supported you most in your writing journey?

My family. My husband protects my writing time almost as fiercely as I do. He helps me find balance in my life for exercising my expressive outlets. My children celebrate each publication with me and brag about my successes to family and friends. They motivate me to continue making them and myself proud.

What do you love most about writing?

The creation of something new. The surprise you find within your words or work of art. It is an endless act of discovery, both of yourself and your world.

What advice do you have for new writers?

Remember to be happy with the voice within. Self-validation is so important. It can be hard at times not to get down when the publications or opportunities you want and work hard for don’t pan out, but your voice is the one that matters most. If you like and are proud of what you do, you don’t need that external approval.

You can follow her on Twitter @MelissaKNunez.

*****

Welcome to the team Melissa! Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

Kapua Iao 1/17/23 Kapua Iao 1/17/23

We are Each Other’s Harvest: Advocacy and Community Care

“We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” ~ Gwendolyn Brooks

Yellow Arrow Publishing would like to announce the next guest editor for Yellow Arrow Journal, Matilda Young. Matilda will oversee the creation of our Vol. VIII, No. 1 issue. Mark your calendars! Submissions open February 1 and the issue will be released in May.

This next issue of Yellow Arrow Journal will explore the overarching topic of advocacy and community care. To learn more about this idea, read Matilda’s words below. The theme will be released next week.

Matilda Young (she/they) is a poet with an MFA in poetry from the University of Maryland. She has been published in several journals, including Anatolios Magazine, Angel City Review, and Entropy Magazine’s Blackcackle. She enjoys Edgar Allan Poe jokes, not being in their apartment, and being obnoxious about the benefits of stovetop popcorn. Matilda’s poem “This Yes, This” was part of Yellow Arrow Journal FREEDOM, and Matilda was our .W.o.W. #7. She was also part of the fantastic Yellow Arrow Writers-in-Residence 2022 cohort.

Please follow Yellow Arrow on Facebook and Instagram for the theme announcement. Below, you can read more about Matilda’s perspectives on advocacy and community care. We look forward to working with Matilda over the next few months.

By Matilda Young

When I graduated college, I knew two things: I wanted to make my career as both a writer and a changemaker.

It didn’t turn out that way, until it did.

I spent many years as a government employee, fact checking legal briefs and researching case law, then writing commemorative emails and copyediting 100-page technical reports (the one about shark finning still haunts me).

Only over the last few years did I find my way into advocacy and writing full time. Even then, even when I found my path to my dream job, I’ve had high highs and low lows. Alongside some of the best, and brightest, and kindest, and funniest, and most passionate people I’ve ever known, I’ve navigated joy, victory, inefficiency, callousness, compassion, and unthinkable tragedy.

I am not the same person as when I started.

Being in LGBTQ+ advocacy has helped me find my way to the truth of my own gender queerness. It has also helped me understand the importance of being open and authentic, not just about my gender and sexuality, but also my struggles with depression and anxiety, about needing help some days to just make it to the next day.

I’ve also got to meet extraordinary people who, in so many different ways, are dedicated to healing the world around them: the Black trans community leader who has fought her entire life for justice and safety; the older lesbian who sat with the dying during the worst of the AIDS crisis and brought them comfort; the ally mom who gives out free hugs to LGBTQ+ people who need them; the D.C. drag queen who organized a fundraiser for abortion access; the young trans man who testified before his state legislature to ask them to stop attacking his identity and community.

Working in advocacy has also helped me begin to recognize my own limitations as an advocate and as an ally. I have made a lot of mistakes. I have learned the lesson of humility over and over again. But there is no shame in that lesson. As the great advocate Cecilia Chung said, “There is always more that I can learn.”

I don’t know if I will always have advocacy as my day job. But I do know that it will always be part of my life. Because it has brought me joy, and friendship, and fellowship, and healing, and hope, and laughter, and discovery. And because I have seen firsthand how our struggles—our survival—are interconnected. Or as the great Fannie Lou Hamer said, till all of us are free, none of us are free.

Another thing I have learned, what so many folks have taught me, is that there are so many ways to change the world. Sometimes it is voting, and marching, and donating. Sometimes it is telling our truth plainly and unapologetically; sometimes it is passing the mic. Sometimes it is checking in on a neighbor, or being part of a mutual aid group, or having the tough conversation with a loved one. Sometimes it is listening deeply and being willing to change.

There is no one way to heal the world; the only requirement is that we try.

There is so much darkness in the world, but even the smallest spark can start a fire.

*****

Kapua Iao 1/10/23 Kapua Iao 1/10/23

SPARK: Generating Heat and Light with Yellow Arrow Publishing’s 2023 Yearly Value

By Mickey Revenaugh

It’s a thrilling thing to newly affiliate with an organization you’ve long admired: Every interaction crackling with shared verve, every discovery shimmering with potential.

It’s also profoundly humbling to join such an organization after it survived widespread yet very specific peril. The global pandemic that killed millions also shut down a beloved physical location, threw budgets into disarray, and sent intimate literary interactions online overnight.

That’s my starting place as new board president for Yellow Arrow Publishing: Equal parts thrilled and humbled to have the opportunity to serve. That’s also what makes SPARK the perfect 2023 value for Yellow Arrow and for me.

As 2022 hit its final stretch this winter, the Yellow Arrow staff and board considered a chunky list of possible values for the new year ahead. The new value had to build on 2022’s AWAKEN, which Executive Director Annie Marhefka reflected on so eloquently a year ago. Previous yearly values include REFUGE for 2020 and EMERGE for 2021—watchwords that trace not only Yellow Arrow’s experience of the last few years but the culture as a whole.

For 2023, SPARK captures the quickening of the pulse we feel now after awakening. Anticipation—possibly even anxiety?—leading to action: Let’s get up. Let’s go, now.

And yet, the truth is that a spark is not a blaze, nor a lit lantern, nor an engine roaring in full throttle. A spark is a precondition, necessary but not sufficient. The immortal poet Bruce Springsteen once wrote, “You can’t start a fire without a spark,” but that was in a different song than “I’m On Fire.”

So Yellow Arrow and I approach 2023 with excited humility. We’re aiming to accelerate recent expansion of our publishing program, including our biannual Yellow Arrow Journal, our chapbook series, and 2022’s successfully launched online journal, Yellow Arrow Vignette—all with extra sizzle provided by our monthly author spotlight .Writers.on.Writing. We’re building out our workshop offerings, including our unique Restorative Writing series and the ever-popular Poetry is Life. And we are finding new ways to ignite creative and communal kindling with in-person events across Baltimore and beyond. All this with an eye toward the financial sustainability that feeds our literary fires.

Together we’ll gently but relentlessly coax Yellow Arrow’s spark of 2023 into full flame, heating and lighting our way through this year of extraordinary promise. Won’t you join us?

Mickey Revenaugh is an education innovator, mission-driven leader, and recovering journalist/current writer of creative nonfiction and fiction. In addition to cofounding a Maryland-based international network of virtual schools, she serves in Board leadership for a New York City charter school, a national charitable foundation, and a global private school. Her writing has appeared in VICE, Chautauqua, Cleaver, Catapult, Louisiana Literature, Lunch Ticket, and many others. She holds an MFA from Bennington College, an MBA from New York University, and a BA in American Studies from Yale. She lives and works in Brooklyn, New York, and can be found online at mickeyrevenaugh.com or Instagram @mickeyrevenaugh.

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. You can support us as we SPARK and sparkle this year: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 65185, Baltimore, Maryland 21209). More than anything, messages of support through any one of our channels are greatly appreciated.

Kapua Iao 12/20/22 Kapua Iao 12/20/22

2022 Year in Review: Wrapping Up a Year of Change

Dear Yellow Arrow Community,

If asked, I think most people would choose summer or spring as their favorite season, but there is something about the beginning of winter that beckons, that sparks a moment of pause, that promotes a bit of stillness. That stillness is not just an opportunity for reflection, but an opening for what is to come. In the same way we prepare our houses for holiday guests—sweeping the floors and cleaning the oven and dusting off the holiday decorations—at Yellow Arrow Publishing, we are winding down what has been an incredibly fulfilling year and readying for 2023 even more focused on supporting and empowering women writers. But before we clear some space on the shelves for all that is to come, let’s take a moment to look back at all we have done in our 2022 Year in Review.

Each year we select a yearly value that embodies the energy we want to bring into our work, and this year, we selected AWAKEN. We focused on paving a new path forward which included sprinkling some in-person events into the all-virtual programming of the past few years, expanding our Board of Directors and staff, and kicking off new ventures, like expanded workshop offerings and the launch of Yellow Arrow Vignette, our new digital publication.

With Yellow Arrow Journal this year, we first explored the theme of UpSpring with guest editor Rebecca Pelky. A poem that really resonated for me was Zorina Exie Frey’s “Vitamin Seed”:

All this time, everyone’s been going the wrong way.

They build ladders and monuments to rise when what

you really have to do is root down. Grab a handful

of earth. Reel deep. Touch the core. The seed. The

heart.

Zorina’s words reminded me that the heart of what we do here at Yellow Arrow is empower women-identifying writers to tell their stories.

Our latest release of Yellow Arrow Journal, PEREGRINE, focuses on illuminating and reclaiming languages, exploring our authors’ personal connections with language, self, and place. Guest editor Raychelle Heath shared, “As a traveler myself, finding home in places of welcome, the word peregrine feels like it also applies to me, and to this broader human experience that we are all traveling through in one way or another.” We are still gushing over the gorgeous cover art by Daryle Newman, who told us, “I cannot tell you how much I have enjoyed being a part of this publication. I have not spoken to my art for some time so doing the interview was incredibly cathartic, thank you.” We hope you find a little bit of home in the words of these stunning writers and that their voices awakened something inspirational within you—whether that be a desire to take pen to paper, a reflection on what home means to you, or the instinct to take flight and tackle a new adventure.

An UpSpring author shared their appreciation recently: “And thank you for the thorough support and communication throughout—everyone at Yellow Arrow Journal is incredibly hardworking and thoughtful.” We published 47 different writers in Yellow Arrow Journal this year and 19 more in our first-ever digital publication, Yellow Arrow Vignette AWAKEN.

In addition to the journal, we published three incredible poetry collections: The most beautiful garden by Nikita Rimal Sharma, when the daffodils die by Darah Schillinger, and What Is Another Word For Intimacy? by Amanda Baker. We were thrilled that our chapbook authors this year were all from the Baltimore area so we could continue to awaken in our first community. It was great to see them flourish and awaken in their own way. We recently announced our 2023 chapbook authors and can’t wait to share their stories with you and work with them on their journeys as authors.

We spent our spring working with the fabulous 2022 Writers-in-Residence, and we were so inspired by their words that we published a collection of their poetry, I (want to) love you, Baltimore. We are grateful to Arao Ameny, Amy L. Bernstein, Catrice Greer, and Matilda Young for sharing their voices with us.

This year, we were (finally) able to start attending some in-person events again. What fun we had! We had a virtual booth at SMOL Fair, participated in The Lost Weekend Book Festival outside of Greedy Reads in Remington, enjoyed reading and sharing with friends at the Write Women Book Festival, and had Yellow Arrow authors and writers-in-residence read poetry on-stage at the Arts & Drafts Festival at Guinness Open Gate Brewery. But here is what stood out to me: can I tell you how many times a writer tentatively approached our table and when asked if they were a writer, they would respond, “Well, I write. I’m not sure if I would call myself a writer.” This, friends, is exactly why Yellow Arrow exists! We are here to spark your writing journey, to surround you with fellow creatives on similar paths of exploration, to lift your voices.

Yellow Arrow also offers accessible, affordable workshops year-round that foster a sense of community and support among writers in all stages of their creative journey. This year, we listed a total of 26 workshops with topics ranging from the development of craft elements like writing dialogue through the exploration of ars poetica and generative nature poetry. One workshop participant shared, “I felt connected to the other workshop participants and appreciated the diversity of thought and writing styles represented,” and another stated, “I appreciated the wide-ranging poets, moments of interaction among participants, and quiet reflective periods to journal and write.” We also kicked off the year by publishing a collection from the writers in our 2021 Poetry is Life series led by Ann Quinn (our 2022 session continues into February, and we encourage you to sign up; information about the 2023 session will be available next month!). We also just announced a new series that begins in January: Restorative Writing with Raychelle Heath. You can sign up for all six sessions now or join one session at a time. This is a great way to kick off the new year by honoring your writing intentions on a monthly basis in our supportive community!

We introduced some cool, new ways to support our independent press in 2022, like our brand new merch store (go grab a mug!) and our addition to the Amazon Smile program (go add us as your favorite charity and we’ll benefit from your holiday shopping!) and the reopening of Yellow Arrow Journal subscriptions (we'll let you know when 2023 subscriptions open).

I have tremendous gratitude for all the hard work that goes into our programs and publications, and the team behind the scenes who make all of this happen are some of the most talented and passionate individuals I have ever worked with. Our readers, volunteers, interns, guest editors, workshop instructors, and board members have unwavering dedication to Yellow Arrow’s mission, and this is so evident in the wonderful publications we produce and programs we offer. This year, we welcomed additional staff and board members, and also are sadly saying farewell to a few. We are incredibly fortunate to have had Gina Strauss step in as our interim board president for 2022. She has led our team this year with grace, compassion, and such a warmth of spirit that we will undoubtedly still feel the uplifting effects of her contributions for a long time to come. Jessica Gregg, who has been serving as our board secretary, will also be stepping away at the end of the year. Jessica has been such an asset to our team and though we are sad she is leaving the soard, we know she will also remain a part of our Yellow Arrow community.

We are thrilled to introduce our new board president to you, as well as two other new members joining our board, neither of which is a stranger to the Yellow Arrow family! We feel so grateful to have these three incredible talents join our team. Stay tuned for interviews with our new board president, Mickey Revenaugh, our new director of author support, Patti Ross, and our new director of fundraising, Nikita Rimal Sharma.

One final note. Around the literary world this year, we have read stories of small presses and literary institutions closing their doors. The literary arts space is one where we cheer each other on, and we have been saddened to see other organizations that reached a point of financial unsustainability. At Yellow Arrow Publishing, we are pushing on with our mission to support and empower women-identifying writers, and as we do, we are asking for your continued support now and into the new year.

Now, more than ever, we believe in the power of words and literature to amplify women’s voices and share our powerful stories with the world. Our goal is to be as inclusive and accessible as possible to all women-identifying writers, and in order to pay our contributing authors and keep submissions low or nonexistent, we must build up our financial resources. We are thrilled that we have been awarded a creativity grant from the Maryland State Arts Council for 2023, and we continue to apply to other grant and funding opportunities.

Furthermore, we have kicked off a fund drive to support the future of Yellow Arrow Publishing. To help us reach our goal, we are aiming for 50 donors of $50 or more and 10 donors of $100 or more. Funds raised go directly to support our programs, and in 2023 we plan to focus on expanding access to the literary arts for women-identifying writers by:

Offering low-cost, accessible workshops for creatives to explore the craft of writing
Expanding outreach and scholarship efforts to encourage more writers from diverse ethnic and socioeconomic groups to attend our workshops
Offering additional resources for emerging writers entering the literary world
What does your donation accomplish? A $50 donation from you is the equivalent of:
- One free 1-hour event that could be available to up to 25 writers
- Two workshop scholarships
- Five poetry or prose pieces published in Yellow Arrow Journal

We are ever so grateful for your continued support of women-identifying writers. Donate today to help us achieve our fundraising goals!

Yellow Arrow depends on the support of those who value our work; your continued support means everything to us. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@DonateYAP), or US mail (PO Box 65185, Baltimore, Maryland 21209). You can further support us by purchasing one of our publications from the Yellow Arrow bookstore, joining our newsletter, following us on Facebook, Instagram, or Twitter, or subscribing to our YouTube channel. More than anything, messages of support through any one of our channels are greatly appreciated.

Once again, thank you for supporting independent publishing and women writers.

Warmest Wishes,

Annie Marhefka and the Yellow Arrow Publishing team

Annie Marhefka is a writer in Baltimore, Maryland. Her creative nonfiction and poetry have been published by Lunch Ticket, Literary Mama, Pithead Chapel, Anti-Heroin Chic, and others, and her work has been nominated for Best of the Net. Annie is the executive director at Yellow Arrow Publishing, a Baltimore-based nonprofit supporting and empowering women writers, and is working on a memoir about mother/daughter relationships. You can find Annie’s writing on Instagram @anniemarhefka, Twitter @charmcityannie, and at anniemarhefka.com.

Kapua Iao 12/13/22 Kapua Iao 12/13/22

Gathering the Flock to Sing: Reflecting on PEREGRINE

By Raychelle Heath

My first contact with Yellow Arrow Journal was as a submitter. I have had two poems published within the journal, in the issues ANFRACTUOUS and UpSpring. I also have had the opportunity to teach the workshop Exploring Embodiment: The Ars Poetica in 2022; my Restorative Writing workshop series starts in January 2023—I hope to see you there. I really love what Yellow Arrow Publishing stands for. So when I received the email asking if I would be interested in guest editing PEREGRINE, Vol. VII, No. 2 (fall 2022), I was incredibly excited and delighted. In fact, I almost wondered if it was a mistake. But it wasn’t, and I was more than happy to say yes to going on this journey of curation with the Yellow Arrow team.

The journey of creating PEREGRINE started with me trying to figure out what it was that I wanted to say with this issue. And it just so happened that I was at a point in my creative exploration where I was thinking about language. I was thinking about how we use it, what languages we prioritize, and just what words do on a page. And while that may sound kind of basic for a writer (of course writers think about what words we’re going to use) this felt like a deeper question about connections and community. I wanted to explore what happens beneath the words we use, and editing this issue gave me the opportunity to do that and to ask others about their ideas around the languages that they use, don’t use, and why.

While the seed for PEREGRINE was a question around language, other things came to light as the issue came together. Submissions moved beyond exploring language and questioned who gets to speak. It was so beautiful to be able to read the voices of writers who were grappling with the question of how they had been silenced in certain ways and how they had found their voice again. There were also questions of identity that came up around language and how we express ourselves, not just in words but in how we express ourselves to the world through our bodies, our gender expression, and our relationships. I could not have asked for a more profound experience than being able to read through the variety of explorations of the PEREGRINE theme found in our submissions.

I learned a lot from being at the helm of this curation, one of the most important things being how necessary it is to work with a great team. And what I can say is that the Yellow Arrow team was with me every step of the way as this issue was coming together. From the initial selection of pieces to the final curation and outreach, to the marketing, down to picking the stunning cover that went along with this issue, this team has been an absolute joy to work with. I am so proud of PEREGRINE and what it is offering to the world. I believe that this issue truly gives voice to those of us who are trying to find out who we are and what we want to say.

With PEREGRINE, there are beautiful explorations of homelands; for example, these lines from Kathryn Reese’s “Glasshouse Mountains”: “The Maroochy gives herself to the sea. I trace her shimmering, seeking the mangrove-lined bend my grandfather fished . . .” There are explorations of identity like in Blaise Allysen Kearsley’s “Words to Call a Sweater.” The lines, “You believed in make-believe; the pretend transformed you into something you wanted to see, different from what was there,” remind me of my own time of wishing I could be something else. There are spaces where family ties are explored, such as in Rina Malagayo Alluri’s “Kitchen tales,” where she unpacks her relationship with language through her relationship with her mother: “When I ask why she never taught me, / she explains I was stubborn, / only responded in English / it is so painful . . .”

And there are just beautiful moments of wandering, like in Patricia Falkenburg’s poem “Roaming.” where the lines “no place / in midair / to stay / where we should / trust / come or go / on our own / wings only” invite us to fly away for a spell.

If you haven’t already had a chance to dive into this issue and really allow it to give you a nice warm hug, I hope that you will get a copy. From the cover to the last page, this issue really is a stunning exploration of what it means to be on this human journey.

Paperback and PDF versions are available from the Yellow Arrow bookstore. Discounts are also available (here) if you would like to purchase copies for friends and family (minimum purchase of five). You can also search for Yellow Arrow Journal on any e-book device or anywhere you purchase books, including Amazon and most other distribution channels. And don’t forget to join us for the reading of Fly to Me, Speak to Me: A PEREGRINE reading on December 15 at 8:00 pm EST; let us know you’re coming at fb.me/e/2uBha3laI.

Thank you to everyone who contributed to PEREGRINE and to the many wonderful submitters whose pieces we couldn’t fit into this issue. We look forward to seeing you on December 15.

Raychelle Heath holds a BA in languages from Winthrop University and an MFA in poetry from the University of South Carolina. She uses her poetry and her podcast to tell the multifaceted stories of black women in the world. Raychelle also explores her experiences with the culturally rich communities that she has encountered in her travels. Her work has been published by Travel Noire, Fourth Wave, Yellow Arrow Journal, The Brazen Collective, and Community Building Art Works. She currently works as curriculum director, sanctuary coach, and facilitator for the Unicorn Authors Club. She also regularly facilitates for The World We Want workshop.

*****

Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts. We recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription.

You can support us as we AWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrow bookstore, join our newsletter, follow us on Facebook, Instagram, or Twitter or subscribe to our YouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Yellow Arrow 12/6/22 Yellow Arrow 12/6/22

Meet the 2023 Yellow Arrow Publishing Pushcart Prize Nominees

The Pushcart Prize honors the incredible work of authors published by small presses and has since 1976. And since then, thousands of writers have been featured in its annual collections—most of whom are new to the series. The Pushcart Prize is a wonderful opportunity for writers of short stories, poetry, and essays to jump further into the literary world and see their work gain recognition and appreciation.

The Prize represents an incredible opportunity for Yellow Arrow to further showcase and support our authors. Our staff is committed to letting our authors shine. Every writer has a story to tell and every story is worth telling. We are so proud of everyone we publish at Yellow Arrow. Without further ado, let’s meet the 2023 Yellow Arrow Pushcart Prize Nominees!

**AMANDA BAKER**

“A coda: Your relationship between you and you is the most important.” *What is Another Word for Intimacy?*
~ Those words of poetry / you said to me / I think you need to turn them around and say them to yourself / and when you’re ready / when you actually believe them / when you love yourself enough / to be the poem / then you’ll be ready for me ~

Amanda Baker is a mental health therapist, 200-hour yoga instructor, and poet from Baltimore, Maryland. She attended the University of Maryland School of Social Work as well as James Madison University. She is also the mother of her four-year old son, Dylan. Her self-published poetry collection, ASK: A Collection of Poetry, Lyrics, and Words, features work from her early teens into her 30s. You can find her on Instagram @amandabakerwrites.

Amanda’s latest chapbook What is Another Word for Intimacy? was just released in October 2022 and can be found in the Yellow Arrow bookstore.

**DIANN LEO-OMINE**

“The Hawk,” *Yellow Arrow Journal* Vol. VII, No. 2 **PEREGRINE**
~ For once in my life, there was no need for language. I will see the place I am from. I will feel the place I am from. I will arrive. ~

Diann Leo-Omine was born and raised in San Francisco, California (Ramaytush Ohlone land), and the colorfully boisterous Toisanese diaspora. Residing now in California’s North Central Valley (Nisenan land), she was awarded a 2022 creative nonfiction fellowship with Rooted and Written at the San Francisco Writers Grotto. She also cocurated and edited the Asian American food zine Lunchbox Moments. Her writing can be found in The Six Fifty, The Universal Asian, Write Now! SF Bay’s Essential Truths, and the BIPOC Writing Party’s forthcoming anthology. You can find her on Instagram @sweetleoomine and Twitter @sweetleoomine, as well as on her website sweetleoomine.com.

Diann contributed her creative nonfiction piece “The Hawk” to Yellow Arrow Journal’s Vol. VII, No. 2 issue, PEREGRINE.

DARAH SCHILLINGER

“the daffodils die,” when the daffodils die

~ what a devastating way to fall in love. ~

Darah Schillinger has previously published poetry in the St. Mary’s College of Maryland’s literary journal, AVATAR, on the Spillwords Press website, in Maryland Bards Poetry Review 2022, and in the first edition of Solstice Magazine. Her first poetry chapbook, when the daffodils die, was released in July 2022 by Yellow Arrow Publishing. Darah is currently Editor-in-Chief of Grub Street Literary Magazine and is pursuing her professional writing graduate degree at Towson University. She lives in Perry Hall, Maryland, with her dog, Moby. You can find her on Facebook @darah.schillinger and Instagram @darahschillinger.

Darah’s chapbook when the daffodils die can be found in the Yellow Arrow bookstore. She also contributed a poem, “i walk home at 10:03 pm,” to Yellow Arrow Journal Vol. VII, No. 1, UpSpring. Darah was the Yellow Arrow 2021 summer publications intern.

**NIKITA RIMAL SHARMA**

“The most beautiful garden,” *The most beautiful garden*
~ Or maybe she has morphed into
a fragrant bush of roses—
enamored by beauty,
guarded by thorns. ~

Nikita Rimal Sharma currently resides in Baltimore, Maryland, and is originally from Kathmandu, Nepal. Professionally, she works at B’More Clubhouse, a mental health nonprofit that is all about working toward reintegration and finding community for adults living with mental illness. Nikita’s first published poem was in Yellow Arrow Journal (Re)Formation from fall 2020. Her first published chapbook, The most beautiful garden, came out in April 2022. She covers themes such as mental health, immigration, and personal growth with a touch of nostalgia. You can find her on Instagram @nikita.playwithwords.

Nikita’s chapbook The most beautiful garden can be found in the Yellow Arrow bookstore. Her poem, “Be You, Beautiful,” can be found in Yellow Arrow Journal’s Vol. V, No. 3 issue, (Re)Formation. She also contributed her work to EMERGE: Pandemic Stories and Poetry is Life. You can learn more about Nikita in her May 2021 Yellow Arrow Journal .W.o.W.

**KAY SMITH-BLUM**

“On Edge,” *Yellow Arrow Journal* Vol. VII, No. 1 **UpSpring**
~ A new foundation will be required. One that rests on individual needs rather than the whole. One that has space for new dreams. The sun casts its sinking spell. The breach shrinks in its glow. ~

Kay Smith-Blum, named Woman Business Owner (NWWA) of the Year 2013, is a recovering retailer writing in Seattle. She coauthored the “Every Man, Every Woman” series of cards and posters published by Schurman Fine Papers and Portal Publications. Kay is the author of two novels of historical fiction, currently out for agent review. Her humorous essay, “Targets,” was nominated by Heavy Feather Review for Best of the Net 2020. Other essays in her “Virus Days” humor series have been published by Pif Magazine, Quail Bell Magazine, and several other fine journals. Her short fiction can be found now or in the future at Fiction Southeast, Yellow Arrow Journal, Change Seven Magazine, and Minerva Rising, among many others. You can find Kay on Twitter @kaysmithblum, Instagram @discerningksb, and Facebook/Linkedin @kay.smithblum. You can also find her on her website kaysmith-blum.com.

Kay contributed her creative nonfiction piece, “On Edge,” to Yellow Arrow Journal’s Vol. VII, No. 1 issue, UpSpring.

*****

Yellow Arrow recently revamped and restructured its Yellow Arrow Journal subscription plan to include two levels. Do you think you are an Avid Reader or a Literary Lover? Find out more about the discounts and goodies involved at yellowarrowpublishing.com/store/yellow-arrow-journal-subscription. Yellow Arrow Publishing is a nonprofit supporting women writers through publication and access to the literary arts.

Kapua Iao 11/29/22 Kapua Iao 11/29/22

Gratitude is a Divine Emotion: Yellow Arrow Interns

By Kapua Iao

“Gratitude is a divine emotion: it fills the heart, but not to bursting; it warms it, but not to fever.”

from Shirley by Charlotte Brontë

One of the many ways Yellow Arrow Publishing encourages women writers and women in publishing is through inclusion within the organization itself. We welcome (and thrive with) our volunteers and interns, not only for our own benefit but to also (hopefully) provide a prospective future publisher with some necessary tools and knowledge about the publishing world. And even if a volunteer/intern does not plan to continue within the publishing world, the tools and knowledge of working in a women-led, collaborative organization. One that champions the different and the unique. One that looks for partners and allies rather than simple connections (see our growing list of partners here).

As Editor-in-Chief, it would be impossible to organize, create, and publish without the incredible help of our volunteer staff and interns. They provide the thought process behind each journal by picking each issue’s theme and reading/voting on each submitted piece. They then read through the chosen submissions and edit them carefully and thoughtfully, not to change the voice of the author but to ensure that the voice flourishes. They provide continuous feedback and proofread the final product before release. And the same goes for our published chapbooks; the process of forming something for publication is thoughtfully long but fulfilling, nonetheless.

We try to find each volunteer, each intern, space in our organization to grow and flourish in the area they are most interested in (and of course where we need the most help!). Past staff members have worked at our live events and at Yellow Arrow House. They hand bound our publications and put as much love and tenderness into each copy as we could hope. Now that we are a mostly virtual publishing company, they focus on editing as well as writing blogs and press releases. They create promotional material and images for our authors and explore or research for future marketing campaigns, events, and collaborations. And above all else, they support. Not only me but our authors as well. I am so thankful to have had them with me on this journey.

So let’s introduce the fall 2022 interns. Each has my appreciation.

Jackie Alvarez-Hernandez, publications intern

Lives in Frederick, Maryland
*What do you do*? I help with lots of projects! Typically, I’m creating the social media images for events such as National Book Month and the release of upcoming publications such as *What is Another Word for Intimacy?* I also do other work such as updating **Her View Friday**, creating YouTube videos, and keeping track of online reviews for already released Yellow Arrow publications!
*Where do you go to school?* Currently, I’m attending Loyola University Maryland, in Baltimore. I will be graduating soon by the end of the fall semester this year. I’m pretty excited!
*What are you currently working on*? I’m mainly focused on studying and getting through my classes to graduate. Other than that, I am trying to work on some short stories that are a mix of horror and adventure for young adults. Not sure when I’ll consider them complete, though.

Jackie Alvarez-Hernandez is from Frederick, Maryland, and is the youngest of four. She is currently studying at Loyola University Maryland. She loves reading short stories and novels of any genre, though she prefers those that are fictional or in the horror genre. Currently, Jackie is reading a collection of poetry by Ada Limón, titled The Hurting Kind.

She hopes to enter book publishing and help copyedit manuscripts along with assisting in promotion of upcoming books. Jackie’s dream is saving up to live somewhere nice with her fiancé.

Why did you choose an internship with Yellow Arrow?

While I was searching for potential internships, I found Yellow Arrow and was drawn in by their mission statement. Helping women writers and writers identifying as women publish their work, whether in a chapbook or as part of the journal issues, resonated with me immensely. This, along with the chance at learning more about book publishing, was what led me to apply!

You can find me on Facebook @jackie.alvarezhernandez.77 and on Instagram @honestlytrue16.

Beck Snyder, program management intern

Lives in Towson, Maryland

What do you do? I work primarily on the social media aspect, creating graphics and posts to promote events, but I also help with voting on submissions and copyediting for the upcoming journal and write blog posts.

Where do you go to school? I go to school at Towson University, and I’m currently in the first semester of my senior year! I’ll be graduating in the spring of 2023, provided everything goes to plan.

What are you currently working on? I am mainly focused on getting through my senior year of college, but I’ve also been working on putting together my first novel!

Nothing’s set in stone yet for the future and Beck is a bit unsure of exactly where they want to be, but they would love to be able to move up to New York City and work on their fiction writing. That novel Beck is working on definitely isn’t ready for publication yet, but hopefully it will be sometime after graduation.

Why did you choose an internship with Yellow Arrow?

I wanted experience in the publishing world since I knew next to nothing about it, and I really admired Yellow Arrow’s mission of elevating the voices of writers who identify as women.

You can find more from me on Instagram @real_possiblyawesome.

*****

Thank you to everyone who supports these women and all writers who toil away day after day. Please show them some love in the comments below or on Yellow Arrow’s Facebook or Instagram. If interested in joining us as an editorial associate or intern, fill out an application at yellowarrowpublishing.com/internships.

Kapua Iao 11/22/22 Kapua Iao 11/22/22

Reclaiming Language and Place: Yellow Arrow Journal (Vol. VII, No. 2) Peregrine

Raychelle Heath, guest editor of just released Yellow Arrow Journal Vol. VII, No. 2 PEREGRINE had a vision when she first began to formulate her ideas for the issue. She knew that she wanted to focus on illuminating and reclaiming languages, exploring authors’ personal connections with language and home. Something she understood all too well herself. Within the introduction of PEREGRINE, Raychelle writes:

“But it wasn’t until I began to read Lucille Clifton, Nikki Giovanni, and Alice Walker that the words I saw on the page sounded like me and the people around me. It was music that I could understand, and that invited me to participate. I wanted to show up on the page like they did.”

And just like the overarching idea, the issue’s theme—PEREGRINE—fit perfectly. According to Raychelle, “As a traveler myself, finding home in places of welcome, the word peregrine feels like it also applies to me, and to this broader human experience that we are all traveling through in one way or another.” The beautiful artwork on the cover by Daryle Newman (Instagram @daryle_shefloats) and the words within soar to new heights as those included explore language and their personal journeys through their individual voices.

Raychelle was an ANFRACTUOUS and UpSpring poet with her incredible poems “lineage” and “Before the War?” and was our December 2021 .W.o.W. author. She holds a BA in languages from Winthrop University and an MFA in poetry from the University of South Carolina. She uses her poetry and her podcast to tell the multifaceted stories of black women in the world. Raychelle also explores her experiences with the culturally rich communities that she has encountered in her travels. Her work has been published by Travel Noire, Fourth Wave, Yellow Arrow Journal, The Brazen Collective, and Community Building Art Works. She currently works as curriculum director, sanctuary coach, and facilitator for the Unicorn Authors Club. She also regularly facilitates for The World We Want workshop.

We are excited to release the latest issue of Yellow Arrow Journal and privileged to share the voices within. Paperback and PDF versions of PEREGRINE are now available from the Yellow Arrow bookstore. Discounts are also available (here) if you would like to purchase copies for friends and family (minimum purchase of five). You can also search for Yellow Arrow Journal on any e-book device or anywhere you purchase books, including Amazon and most other distribution channels.

Join us for Fly to Me, Speak to Me: A PEREGRINE reading on December 15 at 8:00 pm EST; let us know you’re coming at fb.me/e/2uBha3laI.

We hope you enjoy reading PEREGRINE as much as we enjoyed creating it. Thank you for your continued encouragement of Yellow Arrow Publishing and the women involved in PEREGRINE.

*****

Kapua Iao 11/15/22 Kapua Iao 11/15/22

Let’s Talk About Fat: A Review of What We Don’t Talk About When We Talk About Fat by Aubrey Gordon

By Veronica Salib, written August 2022

Today, calling someone fat is an insult rather than just a description of their body. Fat is a word we shy away from, a word we hate being described as, a word we whisper. Not for Aubrey Gordon. Aubrey Gordon yells about fat. She doesn’t avert her eyes and ears at the mention of fatness and doesn’t sugarcoat the experiences that come with being fat. In her book, What We Don’t Talk About When We Talk About Fat, Aubrey talks about exactly that. The hidden parts of being fat. The parts that thin people or ‘not fat’ people have trouble comprehending.

In our current society, thin is the desired aesthetic. Everywhere you turn there are ads tailored for weight loss, a slimmer waist, and a smaller body. Influencers market products to make you lose weight fast. Weight loss is applauded. A thinner body regardless of whether or not it’s a healthy body is deemed desirable.

Aubrey is a self-proclaimed and unashamed fat person who started her literary career with her essay series called Your Fat Friend. According to her website, “she published exclusively under the pseudonym [Your Fat Friend] for four years, writing anonymously about the social and cultural realities of moving through the world as a very fat person.”

In What We Don’t Talk About, Aubrey weaves anecdotes about being a fat person into discussions about how institutions discriminate against fat people. The anecdotes, both her own and others, display the truly grotesque ways in which fat people are treated. Each chapter of the book covers a new aspect of fatness. The first starts with a description and anecdote of life as a fat person trying to travel. Aubrey shares stories on the plights of traveling as a fat person and goes on to explain the systemic discrimination against fat people.

Openly mocked, judged, bullied, and disregarded, fat people are often met with a lack of empathy that Aubrey highlights in her book. In addition to describing the discrimination, later chapters of the book explore further themes such as public health rhetoric around fatness, diet culture, the common commentary on what fat people eat or look like, concerns of fat people on desirability, and medical bias against fat people.

Aubrey’s book highlights the difficulties of being a fat person. She describes inequities and discrimination in all aspects of life from traveling to healthcare. Despite all the negativity Aubrey concludes her book on a hopeful note. At the start of her last chapter, she says, “There is a world beyond this one. In that world, diversity in size and shape are understood to be part of the natural variance of human bodies, from very fat people to very thin ones. So, too are fluctuations in weight.” She goes on to outline ways in which our society can move away from its fatphobic ways. Her recommendations include plans to criminalize discrimination based on weight, improved access to healthcare and public spaces, awareness of and cessation of fat violence against kids and adults, and the banning of dangerous weight loss drugs.

As I am on my own journey of loving and accepting the body I live in, Aubrey’s words deeply resonated with me. While my body is not very fat and I will never fully understand the struggles that very fat people deal with, I do not have a thin body.

Aubrey’s words have empowered me to accept my body the way it is. Her words and stories have validated the feelings I have living in a size 14 body while society says anything above a size 4 is unattractive. It taught me that I don’t have to live in one of two extremes. I don’t have to starve myself until I am a size 4. On the flipside, I don’t have to fake complete happiness. My body can just be a body, not a measure of my worth.

While this book may have filled me with unbridled rage at the never-ending negative experiences based on size, it also provided me with a light at the end of the tunnel. Despite society’s lack of love for bodies like mine, there are people working tirelessly to make space for them, and make sure it is well cared for and accepted. With activists like Aubrey, there will come a day in which fat is just a word. There will come a day where I no longer resent the body I was given, where I am unwavering in my love for the body that I live in. there will come a day where my body is just a vessel for my being rather than a visual representation of my worth.

Veronica Salib was the summer 2022 publications intern at Yellow Arrow Publishing. She works as an assistant editor for a healthcare media company. Veronica graduated from the University of Maryland in 2021 and hopes to return to school and obtain a master’s in publishing.

*****

Kapua Iao 11/8/22 Kapua Iao 11/8/22

Fifteen Seconds in the Woods

By Beck Snyder, written September 2022

I am walking toward the forest in the middle of a chilly November night. Gravel crunches underneath my foot, completely unseen, and the path ahead is lit only by the small flashlight my phone provides. The light lets me catch a glimpse of the rundown white barn I’m passing, one that is hopefully empty, and I am beginning to wonder if having the flashlight on is worse.

Here’s the thing about me—I have a lot of bad ideas, and most of the time, I’m stubborn enough to go through with them.

Having a creative mind does that to you, I think, especially when given a prompt. Mine was simple: go to a location, take that location in, and write about it. Then, go to the same location when something was different (time, weather, amount of people there, etc.) and write about it from that new perspective.

That prompt and a few rejected ideas later led me to now, walking out towards Fairview Mountain past midnight, armed with nothing more than a flashlight, a journal, and a pen to jot down any notes. A terrible idea? Yes. Obviously. Anyone who’s seen more than 30 seconds of a horror movie could tell you that much, but I’d already been up on one of the mountain’s hiking trails earlier that week with the very same notebook and pen in hand, and as the sun shone above me, I’d felt more relaxed than I had since I headed off to the figurative mountain of work college laid out before me. How much different could the experience be at night, especially if I was bringing along a light source of my own?

Very.

The path continues past the barn, gravel and pavement giving way to packed dirt and grass that was just tall enough to need to be mowed again. I am relatively safe for the moment, with most of the forest still a fair distance away as I make my way through the meadow that sits next to a fishing lake. Claustrophobia has yet to set in, but I can still hear the chirping of nearby, unseen crickets, and a faint buzzing noise that reminds me of cicadas, but it’s far past their season. When I came here during the day, the tweeting of birds and buzzing of insects was a reminder of life, of how much this forest sustained. Now, it only sends a chill through my bones as I am reminded of just how many creatures are around that are beyond my sight.

But I am determined to continue. It is one of the few times my stubbornness has outweighed my anxiety—though, I suppose, my anxiety had a hand in keeping me moving forward. This writing prompt is one for a creative nonfiction class, one taught by my favorite professor, a man we all call Ben. The first time I was in his class, he told me he was impressed by my work. I don’t want to let him down.

I press on past the lake. It’s a cloudy night out tonight, and there is no reflection of the moon within the still, silent water. There is only my flashlight to illuminate it, and the stillness feels uncomfortable. People come up to fish on this lake constantly. There’s supposed to be something alive in there, but not even the reeds sprouting up along the edges are moving. The air itself is dead around me and trying not to think about it only makes it all the more noticeable.

I move on. Just past the lake and the meadow lies the final sign of civilization before plunging into the depths—the road that leads further up the mountain to the Outdoor School. I walked up this road once in fifth grade, followed by a pack of other fifth graders dragging duffle bags behind them, ready to spend our first full week away from home learning about identifying plants, going on hikes, and playing games about the food chain. As I continue along it, I catch sight of the pavilion where we played Predator/Prey, in which I was given the role of omnivore. I still remember the exact bush I was trying to hide behind before I was spotted, my hiding place announced to the enemy carnivores by Hunter, who ironically, was an herbivore. I can spot it now, just barely illuminated by one of the flickering street lamps.

I stop for a moment underneath that same street lamp. I’m not sure what stops me here—maybe I’m clinging to the last beam of light I’ll have before I am left alone with only my flashlight. Maybe I want to stay in the familiarity, here outside of the pavilion where I lost a game I was determined to win, all because I’d worn snow boots that I couldn’t run in. Perhaps I should have chosen this spot for my prompt. It’s more open and illuminated, has more memories tied to it—

But I didn’t choose this place. I chose to walk down the hiking trail into the forest for a more authentic prompt, one in which I had no previous memories, and at this moment, as I stare down at the little wooden arrow sign painted dark red pointing down the trail, I can’t remember why.

Ben, I think, as I suck in a terrified breath. I cannot disappoint Ben.

I start down the trail. The light from the street lamps behind me quickly disappears, covered up by the countless tree trunks and branches that seem to close in behind me. Fallen autumn leaves crunch under my feet, and while the noise gives me joy in the daylight, now it makes me cringe. I do not want to be heard. Not by whatever creature could be lurking just outside of my flashlight’s beam.

My mind, of course, is no help. A few of the tree trunks have hastily spray-painted circles and arrows decorating their trunks. They are meant to be guides, a sign that you are headed down the right path, markers to show where you’re going and where you’ve been. In the darkness of night with no moon overhead and only a flashlight, however, my brain has not-so-helpfully dragged forward memories of horror stories that kept me awake at night in middle school and suddenly reminded me of just how similar my current situation is to Slenderman.

I speed up. My spot is about a five-minute walk down the path at a casual stroll, I make it there in half the time, my breathing just as quick, and after an extra 30 seconds of deliberation, make up my mind and switch the flashlight off. It is worse, I think, if I were to turn around and see something than it would be to sit in pitch-black darkness and hope nothing is there. Ignorance is bliss and all that.

Last time, in the sun, I sat out here for 30 minutes. This time, my heart pounding in my chest as the darkness seems to constrict around me, I decide I will force myself to sit still for 30 seconds. I will sit here, listen to the sound of distant bugs and bats that I will not see, feel the cool, still air against my arms, and collect just enough information to write about it.

One . . . two . . . three . . . four . . .

I’m calming down, the longer my timer goes on inside my head and nothing terrible happens. No supernatural creature is lurking behind one of the tree trunks to kill me. It is simply me, the crickets, and the moonless sky. There is something almost beautiful about being entirely alone like this on a night as close to silent as the forest can get. It feels as if I am the last human on Earth—

A twig snaps on 15.

My stubbornness finally loses the fight, and I bolt. I tear back through the hiking trail, down along the road, past the lake, and across the meadow as fast as my legs will carry me. I do not stop until I am past the old white barn, and there, I double over to gasp for air, my lungs heaving as exhaustion takes over from adrenaline.

I am left with one comfort: those 15 seconds will be enough to write a complete prompt.

*****

You can support us as weAWAKEN in a variety of ways: purchase one of our publications from the Yellow Arrowbookstore, join our newsletter, follow us onFacebook,Instagram, orTwitter or subscribe to ourYouTube channel. Donations are appreciated via PayPal (staff@yellowarrowpublishing.com), Venmo (@yellowarrowpublishing), or US mail (PO Box 102, Glen Arm, MD 21057). More than anything, messages of support through any one of our channels are greatly appreciated.

Kapua Iao 11/4/22 Kapua Iao 11/4/22

Her View Friday

single-author publications
single pieces in journals, anthologies, etc.

You can support our authors by reading this blog and their work, sharing their news, and commenting below or on the blog. Congratulations to all the included authors. We are so proud of you!

Every writer has a story to tell and every story is worth telling.

Author: Miriam Edelson

Tell us about yourself: I am a neurodivergent writer, settler, and mother living in Toronto, Canada. My literary nonfiction, personal essays, and commentaries have appeared in The Globe and Mail, Toronto Star, various U.S., U.K., and Canadian literary journals, and on CBC Radio. My first book, My Journey with Jake: A Memoir of Parenting and Disability, was published in April 2000. Battle Cries: Justice for Kids with Special Needs appeared in late 2005. I completed a doctorate in 2016 at the University of Toronto focused on mental health in the workplace. My latest book, The Swirl in My Burl, a collection of essays, was published in October 2022.

Where are you from: Toronto, Canada

What describe your main writing space: It’s a mess right now—filled with papers, books, and a variety of objects. I need to clean up!

What did you just publish: I published The Swirl in My Burl. You can find it at miriamedelson.com.

Tell us about your publication: It’s published by Adelaide Books of New York (October 2022), a creative nonfiction collection of personal essays exploring growing up, mental health, parenting, nature, and politics.

Why this book? Why now? How did it happen for you? This book is a collection of essays that I’ve been writing over the last few years. Most were published previously in various journals, including “Art in the Maelstrom of Mothering” by Yellow Arrow in EMERGE: Coming into View.

What is a burl? A burl originates from a tree that is stressed. It may be caused by an injury, virus, or fungus. The burl is formed coming out of the side of the tree when the grain of the tree has grown in a distorted or unusual manner. It is a round knotty growth that when polished is full of swirls and beauty. There is an entangled splendor underneath the bark and craftspeople say that it can take 30 years for the burl’s full beauty to emerge.

The swirl in my burl is my life stories, my children, my joy and pain. Through my writing I shine a light on that jumble of memory, fact, and emotion, searching for truth. Like my stories and myself, the burl wood grain is twisted and interlocked, resistant to splitting. I look upon it with wonder as it teaches me to find strength in its misshapenness.

What is your writing goal for the year: To continue writing from the heart.

What advice do you have for other writers? Be persistent. Expect 10 rejections for every acceptance. Don’t lose hope!

What else are you working on/doing that you’d like to share: I am editing a new collection titled Deep Roots, New Threats: Confronting the Rise of the Right in Canada. I’ll need to fashion an introduction and conclusion for this project, as well as edit others’ work.

You can find Miriam on her website at miriamedelson.com.

Yellow Arrow (past and present) board, staff, interns, authors, residents, and instructors alike! Got a publication coming out? Let us help celebrate for you in Her View Friday.

Single-author publications: here.

Single pieces: here.

Please read the instructions on each form carefully.

*****

Kapua Iao 11/1/22 Kapua Iao 11/1/22

Meet the Yellow Arrow Publishing 2023 chapbook authors

By Kapua Iao

For the past few years, we have been busy creating chapbooks! In 2020, Yellow Arrow Publishing released its first two chapbooks: Smoke the Peace Pipe (Roz Weaver) and the samurai (Linda M. Crate). Learning how to navigate the world of single-author publications and getting to know the authors was truly rewarding. Roz and Linda were and are fantastic writers and fantastic women. In 2021 we published three more incredible collections, No Batteries Required (Ellen Dooling Reynard), St. Paul Street Provocations (Patti Ross), and Listen (Ute Carson). This year, we had the privilege of working with three local, Baltimore authors with their collections, The most beautiful garden (Nikita Rimal Sharma), when the daffodils die (Darah Schillinger), and What is Another Word for Intimacy? (Amanda Baker).

Given all the fantastic authors we’ve worked with one on one, we couldn’t wait to review and choose our 2023 chapbook authors. The review committee blindly read through 79 submissions, and every chapbook was heart-filled and personal. And because we consider everyone that publishes with Yellow Arrow family, we spent much time really thinking about our decision. From these initial submissions, we created a longlist of 20 chapbooks then a shortlist of 10 chapbooks (see below for our longlist and shortlist), eventually selecting three to publish in 2023. It was difficult to email every submitter letting them know our decision (writing an acceptance email is as hard as a decline as you never know how either message will be received), but the process is done, and we are so excited to work with the three chosen.

So, without further ado, let’s meet the 2023 Yellow Arrow chapbook authors!

**Ann Weil**

*Lifecycle of a Beautiful Woman*

coming April 2023

Ann Weil writes at her home on the corner of Stratford and Avon in Ann Arbor, Michigan, and on a deck boat at Snipe’s Point Sandbar off Key West, Florida. Her work has been nominated for Best of the Net and appears in more than 45 journals and anthologies including Crab Creek Review, Bacopa Literary Review, Whale Road Review, Shooter Literary Magazine, Eastern Iowa Review, and DMQ Review. Ann earned her doctorate at the University of Michigan and is a former special education teacher and professor of education. Read more of Ann’s poetry at annweilpoetry.com.

Lifecycle of a Beautiful Woman explores beauty, womanhood, loving, living fully, and ultimately, aging, from the perspective of a 61-year-old woman (me!).

When did you first realize words have power?

Ha! Great question. I first realized words have power at the age of seven when I won a contest for my poem “Wobbly the Pumpkin Witch.” That was a big day for me, and I still remember the words to that poem (my 85-year-old mother does, too!). But seriously, words have always been important to me, first as a reader—my favorite pastime ever. Little Women slayed me as a teen and when I was introduced to Mary Oliver as a young mother, my life was truly transformed. Imagine that! Poetry can change your life. As an academic, I poured myself into my research and wrote scholarly articles for the field of special education, but my right-brained heart couldn’t wait to get back to reading and writing poetry. Writing has become my daily joy, and joy is its own source of power, right?

Shantell Hinton Hill

Black girl magic & other elixirs

coming July 2023

Shantell Hinton Hill is the ultimate Renaissance woman. An engineer turned pastor, Shantell situates her work at the intersections of social justice, public theology, and Black feminism/womanism. A native of Conway, Arkansas, Shantell is married to Rev. Jeremy Hill. They recently welcomed their first child, Sophie June, to their growing family. Shantell obtained a Master of Divinity from Vanderbilt Divinity School. She also earned a Bachelor of Science in Electrical Engineering from Vanderbilt University and a Master of Science in Electrical Engineering from Colorado State University.

She is a proud member of Delta Sigma Theta Sorority, Inc., and the National Society of Black Engineers. She is also an ordained minister in the Christian Church (Disciples of Christ). Her vocational experiences include work as a process control engineer, a Bible teacher, and as Assistant University Chaplain at Vanderbilt University. At Winthrop Rockefeller Foundation, Shantell focuses on community engagement, faith-based coalition building, and narrative change to imagine more just communities in Arkansas. In her spare time, Shantell is also a freelance writer/author and curates digital content that centers the wholeness and thriving.

Black girl magic & other elixirs is a poetry collection that uplifts the embodied experiences ranging from Black girlhood to womanhood, particularly in the context of growing up in the 90s in the American south. The collection brings to bear the often-unspoken truths about the survival, wit, and skill Black girls and women develop in a world dominated by a myriad of interlocking oppressions. Additionally, this collection seeks to pay homage and build upon the revolutionary work of Black women authors, poets, leaders, and culture bearers. The thematic story arc is an in-depth journey into the nuances of the over-popular term “Black girl magic” juxtaposed with the struggle to realize a world where such magic would no longer need to exist. I am hopeful this collection illustrates that I am passionate about the intersections of justice, storytelling, ethics, and Black women’s spirituality.

When did you first realize words have power?

I started writing my first novel when I was eight or nine years old. I vividly remember writing neatly lined words onto a yellow notepad of a story about a little girl who runs away and forges an adventurous life on her own. It was the summertime, and I was spending several weeks at my grandparents’ house in Greenwood, Mississippi. Besides languishing in the oppressive jim crow-esque heat, there was nothing to do except sit in the front room and listen to the ticktock of 60 Minutes or the gospel messages of John Hagee—my grandfather’s favorite shows to watch while he was sleeping soundly in his folding chair. In those days, my grandfather’s words were law. and his wishes were sovereign.

But in my novel, I created the storyline, characters, and themes that transported me to a place where I could make decisions, take risks, and make-believe other people whom I understood and who I could pretend understood me. Writing gave me license to be big. It gave me the agency to be the commentator of my world rather than a passive participant in a world controlled by others. Discovering my gift for writing unlearned my eyes to see beyond the here and now. And it remains one of the most powerful tools I use today.

**Cassie Premo Steele**

*Swimming in Gilead*

coming October 2023

Cassie Premo Steele, Ph.D., is an award-winning ecofeminist author of 16 books and audio programs ranging from novels to poetry and nonfiction and scholarship. Her novel, The ReSisters, published by a small, independent press in Maine, was a #1 bestseller on Amazon in the category of books for young people combating prejudice and racism. We Heal from Memory, her scholarly work published by Palgrave, advanced ideas about the power of poetry to heal individual and collective trauma 20 years before these ideas were introduced into the mainstream. Her nonfiction book, Earth Joy Writing, published by Ashland Creek Publishing in Oregon, continues to sell well seven years after publication and is available for sale at Congaree National Park, where she leads seasonal forest journaling workshops. Her poetry has won numerous awards, including the Archibald Rutledge Prize named after the first Poet Laureate of South Carolina, where she lives with her wife.

In the summer of 2020 as the pandemic was raging, Cassie joined a group of six women—three from Canada and three from the United States, four white and two women of color, and five lesbian and one straight—to sit and write together by Zoom once a week. They were strangers who came together during the loneliness and terror of that time and in the process, they helped each other survive.

They called themselves the Gilead Sisters.

The poems in Swimming in Gilead were written under the loving kindness and acceptance of these women who became “her eye” for each other. By opening into vulnerability, the poems show readers how to “swim in Gilead” with hope and perseverance as our rights as women are taken away.

When did you first realize words have power?

I was a child under the shadow of Watergate. In fact, I suggested putting blue construction paper on the floor and a white fence on the walls to decorate the classroom for parent night when I was in kindergarten. I knew even then that words have power—to empower and disempower, to reveal truths and cover lies, to help people and to hurt them.

I took these insights with me as I grew, and I used them to help me through a difficult childhood and later incidents of sexual assault. Poetry was always the medicine that helped me gain clarity, find healing, and rediscover my power.

The poems in Swimming in Gilead show that combination of vulnerability and authority as each poem reveals the deeper truths that allow readers to live with courage and a renewed connection to their creative fire.

We can’t wait to work with Ann, Shantell, and Cassie next year but definitely have to acknowledge all the incredible collections we received in the summer. In particular, we would love to give a shout out to our shortlisted and longlisted authors.

Meet our shortlisted authors:

Lorena Caputo

Shelby Catalano

Susan Cummins Miller

Theta Pavis

Melanie Weldon-Soiset

Sophie Zhu

And our longlisted authors:

Priscilla Arthur

Carol Barrett

M.M. Buckner

Margaret Cantú-Sánchez

Carolina Hospital

Saadia Khalid

Diane Payne

Ana C.H. Silva

Richelle Lee Slota

Ellie White

Such incredible writing! Thank you to everyone who took the time to send your words to us. It was a pleasure to read what you put on the page.

Every writer has a story to tell and every story is worth telling. We are so proud of everyone we publish at Yellow Arrow. You can learn more about all our authors here and support them by purchasing publications in the Yellow Arrow bookstore.

Yellow Arrow 10/28/22 Yellow Arrow 10/28/22

Her View Friday

single-author publications
single pieces in journals, anthologies, etc.

You can support our authors by reading this blog and their work, sharing their news, and commenting below or on the blog. Congratulations to all the included authors. We are so proud of you!

Every writer has a story to tell and every story is worth telling.

“When My College Roommate Visited Peru” by Joanne Durham from Prince George’s County, Maryland

Genre: poetry

Name of publisher: Gyroscope Review

Date published: October 1, 2022

Type of publication: print and online

gyroscopereview.com/welcome/issue/

“Deeda” by Ute Carson from Austin, Texas

Genre: poetry

Name of publisher: 34th Parallel Magazine

Date published: October 3, 2022

Type of publication: print and online

magcloud.com/browse/issue/2308621

“Called Into the Office to Meet My First Woman Boss” by Joanne Durham from Prince George’s County, Maryland

Genre: poetry

Name of publisher: Quartet Journal

Date published: October 5, 2022

Type of publication: online

quartetjournal.com/current-issue

You can find Joanne on Twitter @DurhamJoanne and on Instagram @poetryjoanne.

“The Waiting Room,” “Graceful Light,” “An Old Woman’s Body,” “Earth Beneath My Feet,” and “The Rainbow Tree” by Ute Carson from Austin, Texas

Genre: poetry

Name of publisher: Indolent Books

Date published: October 17, 2022

Type of publication: online

indolentbooks.com/a-river-sings-ute-carson-10-17-22/

Want to learn more about Ute? You can find her on Facebook @ute.carson.

Yellow Arrow (past and present) board, staff, interns, authors, residents, and instructors alike! Got a publication coming out? Let us help celebrate for you in Her View Friday.

Single-author publications: here.

Single pieces: here.

Please read the instructions on each form carefully; we look forward to congratulating you!

*****

Kapua Iao 10/25/22 Kapua Iao 10/25/22

Meeting Baltimore: Finding a Literary Sense of Place

By Sydney Alexander, written August 2022

I came into my internship at Yellow Arrow Publishing this summer with a few goals. Given my interest in English and creative writing, I wanted experience in the publishing world, from marketing to editing. I hoped to connect with published writers and get involved with my local community through events. However, the biggest pull factor for me was the opportunity to learn about Baltimore, the city Yellow Arrow is based in. I grew up in Howard County, where the city was a neighbor, not a home. Returning from my first year of college in Vermont, my goal was to get to know Charm City, and I am pleased to say, I did just that.

I didn’t come to my internship with a sole interest in English. As a geography major, I took classes at UMBC during the summer, learning the basics of ArcGIS which, put most simply, is a tool to make maps and analyze data. What this means is that, when I was not working on various tasks for Yellow Arrow, I was looking at a lot of maps of Baltimore. A lot!

Though geography and publishing may seem to have few overlaps, I feel that these two experiences supplemented each other greatly. It is one thing to look at a map of a place, analyzing streets, population demographics, buildings, vegetation—anything that may be quantified in points, lines, or polygons. Yet that was only one way to get to know the city. Sure, I knew objectively—in shapes, numbers, and statistics—what Baltimore was like, but I hardly knew anything beyond that. Yellow Arrow became the literary lens through which I met Baltimore.

Through my internship, I discovered a whole network connecting various literary nodes of the city, visiting local libraries and bookstores, including the Ivy Bookshop and Greedy Reads. I even learned of Yellow Arrow’s partnerships with many of these places. I attended the Guinness Arts & Drafts Festival, where I wandered past stalls of local artists selling their art, listened to Baltimore-based music groups, and watched as Yellow Arrow poets read their work. There, women writers in the Yellow Arrow community told me of their homes in Federal Hill and on St. Paul Street. From all this, a new image of the city began to sublimate in my mind. It was a place where women lived, worked, and wrote. Women were inspired here.

As the summer 2022 Event and Community Engagement Intern, most of my work for Yellow Arrow revolved around social media, creating posts, and scheduling events. However, I was still given the opportunity to try my hand at copyediting with Yellow Arrow’s writers-in-residence’s 2022 publication, I (want to) love you, Baltimore. Here, the writers-in-residence explored their relationships with the city. I discovered that it was both something like what it was to me, yet still something different.

To me, Baltimore is a seaport with colorful row houses rearranging the visible light spectrum. It is the elegant homes of Roland Park, where old trees arch their backs over bike lanes and traffic. It is Miss Shirley’s on Cold Spring Lane and Atomic Books in Hampden. Stereotypically, Baltimore is the Old Bay and crab paraphernalia at every turn. It is the husk of a building where there once was a Barnes & Noble; it is the curvature of the beltway cinching around the city’s perimeter and I-83 South feeding into the streets.

To the writers-in-residence, Baltimore is still a city framed by ramped highways (I-95, to name another). It is still a place of home-cooked food, music, and bookstores. But to these women, it is also the neighborhoods I have not visited: Fells Point. Druid Hill. Canton Park. Baltimore to them is also the city lights gilding late night activity; it is the parks for dates and heartbreak. My mental map filled itself in.

All this is to say, I realize now how important a sense of place is to writing. Many great authors draw upon their home states in their writing: Karen Russell writes of the Everglades in Florida, where she grew up; Charles Frazier of the Blue Ridge Mountains in North Carolina; Beth Wetmore describes the bleak lands of Odessa, a small town in West Texas; Stephen King is all but synonymous with Maine. Their depictions of their home states suggest an intimate understanding of life in these places. In some ways, reading their work—and reading the poems of our Writers-in-Residence—feels like a guided tour from a local. Yellow Arrow, where women write Baltimore, has gifted me with a more intimate relationship with the city.

Now, as I near the end of my internship, I think, Baltimore, charmed to meet you!

To learn more about Baltimore and places to write see a blog written by Vignette Managing Editor Siobhan McKenna: yellowarrowpublishing.com/news/inspiring-locations-to-write-baltimore-mckenna. And join us tonight for the reading of I (want to) love you, Baltimore. Learn more and RSVP here.

Sydney Alexander is a rising sophomore at Middlebury College in Vermont studying English and geography. She grew up in Ellicott City, Maryland, but enjoys the fact that she has lived all over the country, including North Carolina, California, and Wisconsin. Her work has been published online in Hunger Mountain Review.

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Kapua Iao 10/18/22 Kapua Iao 10/18/22

Reasons why I write

By Nikita Rimal Sharma, written July 2022

I don't know how and why the habit started, but I have always had a memory of a notebook and a pen in my vicinity. There have been all kinds of notebook throughout my lifetime. Regular composition, hand-me downs, leather bound, spiral. In the past few years, a Google Chromebook has also accompanied me on days that my thoughts in my head are too fast. However the notebooks look like on the outside, or what form my words take, digital or analogue does not really matter. I just write and fill them with words, my words.

The content has its own variety. Depending on where I am at in life, it seems to take a form of its own. Somedays, it’s a big brain dump of things to do; grocery lists, plants to water, or paperwork I am trying to avoid. It includes my plans and intentions for the days to come, my dreams, hopes, goals, and everything in between. Most days, it’s a reflection on how my life is going. I reflect about events, what has been influencing me or what I am obsessed with. I think and try to make sense of a conversation I had, a life lesson I learned, or I let flow my stream of consciousness. I write about good feelings, when I am filled to the brim with gratefulness, positivity oozing out of my words. I write about my worst fears, moments of defeat and hopelessness when I can’t seem to make sense of the world around me. While processing my thoughts, I also doodle (the few things I know how to draw) while I am writing. These accompanying images may be different versions of a smiley face, floral patterns, hearts, and even stars.

And there is also poetry within the pages. Focusing entirely on a set of words and feelings and turning them into a more structured set of paragraphs never fails to exercise my creative muscles. After the pages are filled, I go through each notebook and tear out the pages that could lead into something more: a poem, a social media post, or just an idea for later. The rest goes into my recycling bin, forgotten once I’ve reached this step.

This is the only way I have known how to live and want to live. All aspects of my life on paper, some wording carefully crafted, some just blurted out. I will continue to do this because this is the only way I know how to be.

There are several reasons why writing has always been present in my life. It is how I take mental snapshots of celebratory moments such as weddings or graduations; let out my heartaches, grief, woes of depression and anxiety; or marvel at the little things that bring me joy. My mind is usually a tangled necklace with knots in several places, crumbled, unaware of its becoming. When I write, each knot starts to loosen and things finally start to make sense. The jumble in my mind straightens and sorts itself to categories. Deeper emotions and rage turn into poetry, random thoughts turn into ideas for living and writing more, to-do lists that seemed to never end now have a clear direction that I can follow without feeling overwhelmed. My memories and stories get a permanent home. When I write is when I get to feel, heal, and sort myself out and make way for more abundance in my life. It gives me a chance to figure myself out, move on from one phase or season to another and ground myself. However, I wouldn’t write if it didn’t give me one thing: joy, pure joy!

Why do you write?

Nikita Rimal Sharma’s sources of joy include lots of writing, contemplating the meaning of life, running as often as her knees let her, hiking, walking, and spending time with her Pitbull Terrier, Stone. Nikita currently resides in Baltimore, Maryland, with her husband and works at B’More Clubhouse, a community-based mental health nonprofit. She is originally from Kathmandu, Nepal. Her debut chapbook, The most beautiful garden was published by Yellow Arrow Publishing in April 2022.

Get your copy of The most beautiful garden today at yellowarrowpublishing.com/store/most-beautiful-garden-paperback.

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“I'll have an American Breakfast please, hold the (W)” by rASHNA waDIA from sANTA cLARA, cALIFORNIA

“All This Was A Nice Place Once” by Laura Rockhold from Minnesota

“Other~Land” by rASHNA waDIA from sANTA cLARA, cALIFORNIA

“Outline For A Relief Map” by Laura Rockhold from Minnesota

“Baby Boy, Born at 34 Weeks” by Heather Brown Barrett from Virginia

“Daylight Saves” by Kay Smith-Blum from Seattle, Washington

“acquired taste” by Valerie Wong

“Anatomy of the Postpartum Mother” by Annie Marhefka from Baltimore, Maryland

LATEST ADDITION . . . PRIZES/AWARDS!

“The Taking Hands” by Laura Rockhold from Minnesota

“Paradise Parade” by Laura Rockhold from Minnesota

“Pee is for Prejudice” by Zorina Exie Frey from Maryland

“What the Salt Meant” by Joanne Durham from North Carolina

AMANDA BAKER

“A coda: Your relationship between you and you is the most important.” What is Another Word for Intimacy?

~ Those words of poetry / you said to me / I think you need to turn them around and say them to yourself / and when you’re ready / when you actually believe them / when you love yourself enough / to be the poem / then you’ll be ready for me ~

DIANN LEO-OMINE

“The Hawk,” Yellow Arrow Journal Vol. VII, No. 2 PEREGRINE

~ For once in my life, there was no need for language. I will see the place I am from. I will feel the place I am from. I will arrive. ~

DARAH SCHILLINGER

“the daffodils die,” when the daffodils die

~ what a devastating way to fall in love. ~

NIKITA RIMAL SHARMA

“The most beautiful garden,” The most beautiful garden

~ Or maybe she has morphed into

a fragrant bush of roses—

enamored by beauty,

guarded by thorns. ~

KAY SMITH-BLUM

“On Edge,” Yellow Arrow Journal Vol. VII, No. 1 UpSpring

~ A new foundation will be required. One that rests on individual needs rather than the whole. One that has space for new dreams. The sun casts its sinking spell. The breach shrinks in its glow. ~

Jackie Alvarez-Hernandez, publications intern

Lives in Frederick, Maryland

Where do you go to school? Currently, I’m attending Loyola University Maryland, in Baltimore. I will be graduating soon by the end of the fall semester this year. I’m pretty excited!

What are you currently working on? I’m mainly focused on studying and getting through my classes to graduate. Other than that, I am trying to work on some short stories that are a mix of horror and adventure for young adults. Not sure when I’ll consider them complete, though.

Beck Snyder, program management intern

Lives in Towson, Maryland

What do you do? I work primarily on the social media aspect, creating graphics and posts to promote events, but I also help with voting on submissions and copyediting for the upcoming journal and write blog posts.

Where do you go to school? I go to school at Towson University, and I’m currently in the first semester of my senior year! I’ll be graduating in the spring of 2023, provided everything goes to plan.

What are you currently working on? I am mainly focused on getting through my senior year of college, but I’ve also been working on putting together my first novel!

Ann Weil

Lifecycle of a Beautiful Woman

coming April 2023

Shantell Hinton Hill

Black girl magic & other elixirs

coming July 2023

Cassie Premo Steele

Swimming in Gilead

coming October 2023

“When My College Roommate Visited Peru” by Joanne Durham from Prince George’s County, Maryland

“Deeda” by Ute Carson from Austin, Texas

“Called Into the Office to Meet My First Woman Boss” by Joanne Durham from Prince George’s County, Maryland

“The Waiting Room,” “Graceful Light,” “An Old Woman’s Body,” “Earth Beneath My Feet,” and “The Rainbow Tree” by Ute Carson from Austin, Texas

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